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Thursday, May 19 • 3:00pm - 6:00pm
The Code of Music FULL

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Limited Capacity full
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What does an interactive song look like? What is it like to compose a piece of music by defining its boundaries, designing its notation, and then letting it vary with each listener/user ––or with the weather? Can interaction itself be expressive?

Creative coding affords endless opportunity for musical and visual exploration, a space recently explored by musicians like Philip Glass to Jorge Drexler to Bjork.
In this workshop we will look into interacting with rhythm, melody, and harmony by playing with interactive examples. We will design our own experiences, and survey the technical means to implement them.

Participants are encouraged to bring a laptop, but a phone or tablet will work too.
Beginners are welcome. 

** If you successfully register for this workshop, please plan to arrive at least 15 minutes prior to the beginning of the session. Those not in attendance 5-minutes before the session begins, may forfeit their spot to the next person on the waitlist.

By registering for a workshop, you acknowledge that Moogfest may share your email address with the instructor for the purpose of planning and coordinating this event.  

Talent
avatar for Luisa Pereira (NEW INC)

Luisa Pereira (NEW INC)

Luisa Pereira is an artist, programmer, and musician based in New York City. Her work often explores music through coding and design, taking the form of interactive installations, generative devices, sculptures and prints. Luisa's work has been presented in festivals and galleries in the US, South America and Europe. Recent venues include the Museum of Contemporary Art in Santiago de Chile, South by Southwest in Austin, Texas, and the FILE... Read More →

Program Themes
avatar for Hacking Sound (Systems)

Hacking Sound (Systems)

The resurgence of a technological Maker Culture is undeniable, and Moogfest is a gathering for all those enthused by new tools for creative expression. This program includes a historical look at the evolution of dub reggae and home-made sound systems, radiating outwards from its native Jamaica. These artists and producers were hardware hackers, much like the creative technologists working on interactive sonic experiences and generative music... Read More →



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